8 Mile: The Lunch Truck Battle Vanessa (Miz-Korona) Man, I’m gettin so sick and tired of fuckin with this steel They only give us 30 minutes to eat lunch and chillClimbin up this mountain your weak. Eminem - 8 Mile: The Lunch Truck Battle Lyrics FAST DOWNLOAD. I do got a dumb friend named Cheddar Bob who shoots.Who were your biggest musical influences growing up?Home E Eminem 8 Mile: The Lunch Truck Battle. Mom, My boy Future is an Uncle Tom. This guy aint no mother-fuckin Mc, I know everything he's got to say against me, I am white, I am a fuckin bum, I do live in a trailer with my. You're pac, he's pac, no pacs, none.
And what I tell you, you better use it.The last thing that any rapper wanted to do was make it even worse and ruin. Take some real advice and form a group with Vanilla Ice. Fuckin Nazi, this crowd aint your type. Bout to get smacked back to the boonedocks. Your the new kid on the block. You aint Detroit, Im the D.
I feel like I have a lot to contribute.The hip-hop scene in China is very, very young and undeveloped right now. In addition, it’s also a crazy time for people who are doing music in China and I wanted to give my voice to the scene as well. I also wanted to really live in China as an adult for the first time, since after leaving at the age of eleven, I’ve only gone back for a month at a time whether it's for holidays or shows. It gave me a lot of experiences and life to talk about in my songs and made me think of others in my position, not just Chinese immigrants, but immigrants in general.I moved back to Chengdu last July (2017) to live with my grandpa who raised me in China. This definitely kept me aware of where I’m from and who I am, or what I am.
I’ve been approached by just about every label that signs hip-hop and people thought I was crazy for turning them down. How has that decision impacted your career growth in China?Being independent in China is actually a double-edged sword. Eventually, when people are out of the imitation phase, I think there’ll be some really dope and cool shit happening.Rather than pursue a record deal, you’ve remained wholly independent. Artists have a lot of ambition right now and everyone is dreaming big, so it’s an exciting time to be there. There are a ton of people listening to it who had no idea what it was before, or its history.It’s early, and there’s a lot of people who want to be like Cole, Drake, Kendrick and them but, in my opinion, nobody has been able to do it like them—yet. Last year in China a contest show called Rap Of China became widely popular and pushed hip-hop into the mainstream.
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It’s so much less developed than in the US and has less gatekeepers.There are so many breakout, crossover acts, not just from Asia, but from Ireland and the UK. But for me, I’ve chosen the independent route because as an indie artist, if you’re smart, you can also get those same looks when you grind, get creative, and learn how to work the system. Being signed can get you some good looks, like bigger festivals and more commercial endorsements, and since you have a team, you don’t have to do it yourself. That sounds like career suicide to me.
But in the last year, it went from underground to mainstream in a matter of weeks. What’s the deal?I've been doing shows in China since 2015 and I've been watching hip-hop in China grow slowly. Everybody can relate to the idea of foreign a lot more than we used to.China recently announced a hip-hop ban. Different perspectives, experience of living in different worlds, and honestly we are starting to enter a time whereof “overseas,” where more and more people are living half a world away for school or jobs or whatever.
But in China, there is a screening process for festivals and bigger commercial shows where you have to submit your lyrics and translations and music videos for approval, and this process will no doubt be more strict this year. So, no, it hasn’t affected me in that way. It’s like for people who watch Cops and Antique Roadshow… It’s just not the demographic we care about anyways. I’m not surprised at all that China has tried to ban hip-hop… I was surprised that it even got that poppin’ in a country known for its censorship.Has the ban impacted the way you make music or, at the very least, your content?So the ban is actually only applied to Chinese national television, and not many people under the age of 40 even watch television in China. It’s not so much about hip-hop, but more about the West having control over young Chinese minds. Honestly, anytime Western influence can cause such a ripple in China—and hip-hop is most definitely Western culture—China will react.
Last year, the scene exploded and was such a party, and this year, it’s like “Party No More!” It’s one of the more aggressive tracks of mine to give context to what’s happening like even if y’all ain’t trying to have us party, we going harder even still.How much of “Party No More” is emblematic of your forthcoming album, OVERSEAS?“Party No More” is half Chinese, half English and that’s kind of the format for the whole project. It reflects what’s going on in hip-hop in China. Why the comedy route? Yeah, it’s just the attitude I want to have in 2018: go harder, no matter what.
Don’t let the oceans we have to cross or the languages we don’t understand be a barrier. And finally, I want people to see that there’s harmony between two cultures that might seem so different. I just hope it inspires them to go harder in whatever they’re doing that day or that year and have fun doing what they do and do it to the fullest. The hook: “Just so you know, if you ain’t about it before, don’t act like you about it,” meaning that before nobody gave a fuck about Asian shit, besides kung fu and food, but now they wanna jump on the wagon 'cause the shit is popping off and there’s lots of money to be made.What do you hope new fans will think after hearing the single? Once they hear the album?I hope “Party No More” and OVERSEAS can really resonate with listeners, no matter where they’re from. We share a lot of similar experiences.Whether you only understand one language or both, you get the same idea from “Party No More”: let’s stop looking at colors and whatever, and just listen to the music. I worked with my boy Yllis, who’s from Singapore but lives in NYC now.
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